I should preface this by saying that this is a personal reflection, and not intended as a universal statement on music appreciation. My distaste of certain ideas and approaches is largely fueled by my evolving experience of music, and the way I project that onto the world.

Lately, I've grown disillusioned by the way music is sometimes consumed—appreciated, or worse, dismissed for reasons that stray too far from what music fundamentally is. Over-intellectualisation can overshadow the raw, emotional experience of sound. I know that music can invite discussion of culture, genre, theory, and our personal biases, but when abstractions like these dictate value, I can't help but feel like something vital has been lost.

What does this have to do with Muse? Well, I think they're a band that reflects this idea in my own life. Their music—like so much I loved growing up—carries a sense of seriousness. Yet this seriousness contradicts how we naturally perceive music when we're you

After some site upgrades it's become much easier for me to write posts. The site has better post management (for example, I can now store drafts on-site), and a better editor that uses markdown, rather than what I had before (which was a WYSIWYG editor embedded in flask admin). I've learned a lot building this site and it continues to be surprisingly adaptive to my needs

Anyway, recently I did two shows. The first show was a new spin on material from the March show, and the second show was all new. But both debuted an improved live set up that I dedicated (and hope to con

Been having some thoughts about alternate arrangements for how I currently perform my music to allow for more freedom. Henceforth I'll dub these speculative ideas SLMs (speculative live mechanisms) and treat them as an object to be linked to other ideas in a grander system of thought. The extra unhinged ones can be called USLMs!

I am toying with the idea of incorporating a pure data patch on a raspberry pi that will serve to replace the MIDI merge box, as well as provide potential SLMs via the USB MIDI IN port on MCL, and some kind of redirect to the MnM via MCL PORT 2. Control would come into the pi via USB MIDI from a MIDI controller, similar to my current system with the MiniLab.

Here are some random unorganised SLM ideas:

1. Pd song mode for MnM & MCL - PGM IN for both, handled separately so that pattern slots do not need to be aligned beforehand; which means no automatic PGM OUT from MCL to MnM unlike how I currently do things, which is very labo

I wanted to shed some light on some behind-the-scenes stuff pertaining to the recent gig for Stimulacrum @ The Bee's Mouth, and also touch on some of the struggles I've been having with regard to gigging and my health.

The set was performed on a pair of Elektron synthesizers - a Monomachine and a Machinedrum UW, with custom firmware (X.01A and X.10), a MegaCMD with MCL 4.51, an Arturia Minilab 3, and a 3x3 MIDI merge device (U6 MIDI pro) to route everything. It was mixed with a Mackie Mix8 and recorded with a Zoom H4N Pro recorder from the tape output.

The routing was essentially:

1. MD in -> MCL out 1
2. MD out -> MCL in 1
3. MnM in -> U6 out 1
4. MnM out -> U6 in 1
5. MCL in 2 -> U6 out 2
6. MCL out 2 -> U6 in 2
7. MiniLab out -> U6 in 3

The MIDI merge routing was something like:

1. In 1 ->